The programmed pilot was his long-time lost secret brother Arno. Tony later discovered he couldn't pilot the Godkiller because he wasn't the baby 451 had genetically engineered.
Before the dimensional shift began, Stark managed to use 451's tech to hack into the Godkiller, opening a pathway to escape before it was too late.
Before shutting himself down, 451 activated a mechanism to transport the Godkiller to another dimension, with the intention to take Stark with it. When 451 discovered Stark couldn't pilot the Godkiller, and concluded all the atrocities he committed as part of his plan were worth nothing, and decided the giant armor couldn't fall in anyone's hands. Years later, 451 met the son of Howard, Tony Stark, now the superhero Iron Man, and told him about his secret origin, ultimately bringing him to the Dyson Sphere and forcing him to become one with the armor. To this end, 451 genetically engineered the unborn child of Howard Stark, one of the people whose possible offspring 451 determined was best suitable for becoming the Godkiller's pilot. However, 451 needed a pilot for the Godkiller since the machine's autopilot function was extremely clumsy. 451 planned for the Godkiller to be used as a nuclear deterrent of Earth, as he believed humanity had the potential to bring universal peace in the future. The Rigellian Recorder 451 learned of its existence and spent hundreds of years looking for it and salvaging its parts, with the last of them having become known as the Heart of the Voldi. The Godkiller remained stored in a Dyson sphere for eons. It was piloted strictly by people on a "genetically imprinted short leash." Despite its success to cull the Celestials' numbers, the suit was stripped for key components to build the Aspirants' fleet, just before they entered in a civil war which bought the Celestials enough time to recover and crush them. “Psychedelic chaos” might very well reflect Kairon IRSE!’s methods, but the end product on Polysomn sounds more like interstellar harmony.The Godkiller was a powerful weapon created eons ago by the Aspirants to battle the Celestials during the final battle of the Celestial War. Concise yet overstuffed with acid-laced ear candy, “White Flies” is the album’s most direct application of dopamine to the pleasure centers, a relatively straightforward pop gem that still feels like passing through a portal into another dimension. When Kairon IRSE! dial down the din, they remain delightfully weird and otherworldly, as on the standout “Mir Inoi,” a soft twinkling dirge reminiscent of UK psych-pop outfit Broadcast, with no discernible guitars to be found-just minimal loops of eerie synths. The band puts hooks front and center on the soaring “Retrograde,” even when backed by what sounds like dozens of guitar tracks. “Psionic Static” zeroes in on the intersection of lo-fi and sci-fi, with a miasmal intro of space-age synths and crackly beats gradually intensifying and opening up the song up into an imposing, wondrous anthem. Polysomn still carries echoes of Kairon IRSE!’s rhythmic past, indebted equally to Pink Floyd’s billowing prog and Can’s motorik moonshake this time around, though, melodies and hooks are strategically placed among a labyrinth of sonic bells and whistles. Their third album Polysomn, tempers the largesse of their first two efforts (2014’s Ujubasajuba and 2017’s Ruination) with approachable art pop whimsy, producing heady, heavy results. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackįew bands overpower the senses quite like Kairon IRSE! The Finnish group, who describe their music as “psychedelic chaos,” practice a distinctive form of kaleidoscopic psych-rock maximalism: a sprawling yet intricate blend of krautrock, stoner rock, and prog, festooned with cosmic jazz saxophone and interdimensional synthesizer.
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